Editorial
Pointure-practices in visual representation and textual discourse – a tapestry and a fugue
Abstract
The articles presented in this special edition of Image & Text may be likened to a fugue of contrapuntal voices1 expressed in textual modes and threaded around Jacques D errida’s (2009 [1978]) theoretical maxim of “pointure”. The notion of “pointure” arises from Derrida’s essay, “Restitutions de la verite en pointure” (“Restitutions of the truth in pointing”) in which he explores the discursive theme of the “inside” and “outside” of a text.