Articles

• “Speak to a community audience”: The Staffrider illustrations of Mzwakhe (Muziwakhe Nhlabatsi) 1979-1987

  Deirdre Pretorius

  1 - 37

  • PDF
• Montage in play

  John Higgins

  1 - 21

  • PDF
• Health, hospital(ity) and hegemony: Artistic agencies of two women weavers at Ceza, 1962

  Philippa Hobbs

  1 - 31

  • PDF
• Conceptions of iconicity and their historical reorientations: Pippa Skotnes’s horse skeletons and the topos of the Annunciation Art, access and agency - Art sites of enabling

  Suzanne de Villiers-Human

  1 - 23

  • PDF
• Special section editorial Art, access and agency - art sites of enabling

  Johan Thom, Lize Kriel

  1 - 9

  • PDF
• Flowers, sex, labour and loss Art, access and agency - art sites of enabling

  Johan Thom, Willem Boshoff, Olu Oguibe

  1-16

  • PDF
• How Poetic Language Enacts Agency Art, access and agency - art sites of enabling

  Bronwyn Law-Viljoen, Phillippa Yaa de Villiers, Fiona Zerbst

  1-17

  • PDF
• Play-able: using play to realise the intent of social design Art, access and agency - art sites of enabling

  Fatima Cassim

  1-19

  • PDF
• Between damage and possibility: Informal Recycling Conceived as Life Raft Art, access and agency - art sites of enabling

  Jacki McInnes

  1-19

  • PDF
• The Curation of To Be(Hold) in Revere: An Exhibition of Historical Photographs of People with Intellectual Disability Art, access and agency - art sites of enabling

  Rory du Plessis

  1-25

  • PDF
• Exercising agency through embodied research and the making of screendances Art, access and agency - art sites of enabling

  Kristina Johnstone, Tarryn-Tanille Prinsloo, Marth Munro

  1-22

  • PDF
• A Combustible Object: The Suppression and Recovery of Ernest Cole’s photobook House of Bondage Art, access and agency - art sites of enabling

  Sean O’Toole

  1-28

  • PDF
• Exhibition Review Art, access and agency - art sites of enabling

  Teboho Lebakeng

  1-5

  • PDF
• Book launch exhibition: Light for Art’s Sake Art, access and agency - art sites of enabling

  Carla Crafford

  1-6

  • PDF
• Special section editorial Hitting home: representations of the domestic milieu in feminist art

  Brenda Schmahmann

  1-5

  • PDF
• Material worlds: Domestic objects and the question of auto/biography in contemporary art Hitting home: representations of the domestic milieu in feminist art

  Clara Zarza

  1-23

  • PDF
• Home is where the art is? Reflections on changing notions of home and contemporary art practices in the wake of the pandemic Hitting home: representations of the domestic milieu in feminist art

  Jacqueline Millner

  1-19

  • PDF
• Being (not) at home: Exiled women artists in postwar New York Hitting home: representations of the domestic milieu in feminist art

  Virginia Marano

  1-25

  • PDF
• Re-claiming the lost home: The politics of nostalgia and belonging in women's art practices in the Middle East Hitting home: representations of the domestic milieu in feminist art

  Maria Photiou

  1-24

  • PDF
• Joanna Rajkowska’s Rhizopolis (2021): A rhizomatic refugium for caring commons Hitting home: representations of the domestic milieu in feminist art

  Basia Sliwinska

  1-25

  • PDF
• Inside The Red Mansion: Füsun Onur’s world of objects, care relations, and art Hitting home: representations of the domestic milieu in feminist art

  Nergis Abıyeva, Ceren Özpınar

  1-19

  • PDF
• At home in Harlem: The politics of domesticity in Faith Ringgold's The Bitter Nest Hitting home: representations of the domestic milieu in feminist art

  Debra Hanson

  1-23

  • PDF
• The art of labour: Representations of childbirth by Reshada Crouse and Christine Dixie Hitting home: representations of the domestic milieu in feminist art

  Brenda Schmahmann

  1 - 22

  • PDF
• "Sweep the yard girl": Brooms, wifely duties and the subversive art of Usha Seejarim Hitting home: representations of the domestic milieu in feminist art

  Shonisani Netshia

  1-22

  • PDF
• Breaking the ‘Law of the Father’: Linda Rademan’s transgressive engagements with Afrikaner patriarchy in the home Hitting home: representations of the domestic milieu in feminist art

  Karen von Veh

  1-25

  • PDF
• Labour, love, or violence? Farieda Nazier’s Don’t Make Me Over (2021) Hitting home: representations of the domestic milieu in feminist art

  Roxanne Do Rego

  1-26

  • PDF
• Cleansing shame: Airing South Africa’s ‘Dirty Laundry’ Hitting home: representations of the domestic milieu in feminist art

  Dineke Orton

  1-19

  • PDF
• Special section editorial Decolonising Speculative Fiction

  Deirdre C. Byrne, Josephine Olufunmilayo Alexander

  1-9

  • PDF
• Exploring Nnedi Okorafor’s decolonial turn in the Binti Trilogy Decolonising Speculative Fiction

  Josephine Olufunmilayo Alexander

  1-28

  • PDF
• Future Frontiers: Ontological Osmosis and Africanfuturist Cyborgs in Nnedi Okorafor’s Lagoon Decolonising Speculative Fiction

  Brett Banks, Jethro Kayat, Jean Rossmann

  1-20

  • PDF
• Deliberately derivative: levels of decolonisation in Nnedi Okorafor’s Akata Witch Decolonising Speculative Fiction

  Dorothea Boshoff

  1-20

  • PDF
• The Black Female Messiah in Nnedi Okorafor’s The Book of Phoenix Decolonising Speculative Fiction

  Bernice Borain

  1-19

  • PDF
• Spectre and Speculation: Haunting and Uncanniness in Soweto, Under the Apricot Tree by Niq Mhlongo Decolonising Speculative Fiction

  Eugene de Klerk

  1-23

  • PDF
• Whose city? (De)colonising the bodies of speculative fiction in Lauren Beukes’s Zoo City Decolonising Speculative Fiction

  Natasha Lyle Weston

  1-16

  • PDF
• South African experiences in a restructured post-apocalyptic geo-political future as depicted in speculative fiction Decolonising Speculative Fiction

  Irikidzayi Manase

  1-15

  • PDF
• Give the Black Girl the Remote: Decolonising and Depatriarchalising1 Knowledge and Art in Black Panther and Colour Me Melanin Decolonising Speculative Fiction

  Deirdre C. Byrne

  1-22

  • PDF
• Being (in)formed by indigenous voices: First steps to using graphic narratives to decolonise speculative fiction Decolonising Speculative Fiction

  Jeanne-Marie Viljoen

  1-22

  • PDF